Adhesive Condenser Mic

• Polar Pattern: Figure-of-eight
• Frequencyresponse: 10 - 18.000 Hz
• Impendance: 200 Ohm
• Powersupply via Sender oder B29 L
• L-Connector

ORTF-Stereo set, phantom power needed, with XLR connectors. Good sound!

4 Channel DJ Mixer

• 4 Phono/Line Channels + 2 Mic/Line Channels
• 100% analogue circuitry and mix bus summing
• Dual analogue Filters with silent switching
• Precision 4-band EQ control
• Custom mini innoFADER® Pro for smoother mixing
• Updated storm grey colourway and refocused UV legend
• New 3-way, global Channel fader curve switch
• Improved Channel 1-4 Input Level and source-matching
• Refined Xone:VCF tapers for enhanced control
• Optimized RIAA preamps
• Removable dual-ground adaptor
• Rear panel Mic clean feed switches

Professional Hydrophone

• Frequency response: 7Hz- 90 kHz (+/- 2 dB)
• Polar Pattern: Omni directional
• Sensitivity: -192dB re 1V/μPa
• THD: 0,1% (10Hz-40kHz)
• integrated low noise preamp with +12dB gain
• Dimensions (HxW):180mm x 25mm
• Max depth: 100m
• Housing material: aluminum-brass
• Encapsulating material: PUR
• Weight (without cable): 270g
• Power Supply: 48V Phantom
• Included detachable 10m underwater cable
• Special designed AHS underwater connector
• Temperature range: -5° C to +50°C

• Small hydrophone
• For high-quality underwater audio recordings
• Polar pattern: Omnidirectional
• Frequency range: 70 - 20,000 Hz
• Total harmonic distortion: 0.1% (70 - 20,000 Hz)
• Power consumption: 5 mA
• Material: Anodised saltwater-resistant aluminium
• Capsule material: specially formulated NBR
• Requires 48V phantom power
• Cable length / max. depth: 10 m
• Dimensions: (L x W x H) 47 x 30 x 30 mm (without cable)
• Weight: 50 g (without cable)

APx555B Series High-Performance, Modular Two-Channel Audio Analyzer

The APx555 is a two-channel audio analyzer without compromise. Developed for R&D engineers and production technicians who need the highest possible performance, a broad range of digital I/O options and fast, intuitive software, the APx555 is the standard for audio analyzers.

Studio and DJ Headphones

Closed
Circumaural
Dynamic
40 mm driver with neodymium magnet system and CCAW voice coils
90 Degree swivel ear cups
Frequency range: 15 - 24000 Hz
Maximum input power: 1600 mW at 1 kHz
Impedance: 35 Ohm
Sound pressure level: 97 dB
Detachable cable
1.2 - 3 m spiral cable
3 m straight cable
Weight with cable: 300 g
Weight without cable: 241 g
Colour: Black
6.3 mm adapter and bag included

Boundary Microphone

• Frequency Response: 20-20,000 Hz
• Low Frequency Roll Off: 80 Hz, 18 dB/octave
• Open Circuit Sensitivit: -34 dB (19.9 mV) re 1V at 1 Pa
• Maximum Input Sound Level: 130 dB SPL, 1 kHz at 1% T.H.D.

Condenser large diaphragm microphone

Stereo pair consists of 2 matched microphones

• Switchable directional characteristics: omni, cardioid, hyper cardioid, figure eight
• Freely configurable polar pattern via PolarDesigner plug-in for Win and Mac
• Real-time polar patterning via OCR8 Bluetooth dongle (Art.467336 - not included) and PolarPilot app for Android and iOS
• Handmade CKR12 ceramic capsule based on the CK12 capsule
• Frequency range: 20 - 20,000 Hz
• Sensitivity: 13 mV / Pa
• Output impedance: 2 x 275 ohms (balanced)
• Input impedance: 1 kOhm
• Max. SPL: 148 dB / 158 dB (with pad)
• Noise: <10 dB SPL
• Signal-to-noise ratio:> 84 dB
• Requires 48 V phantom power
• Low Cut Filter: 40, 80 and 160 Hz
• Pad: -10 dB and -20 dB
• Includes elastic shock mount, microphone clamp, windscreen, mini XLR adapter and case
• Dimensions: 157 x 63 x 35 mm
• Weight: 0.36 kg

For calibrating sound systems and measuring sound levels and frequency curves. The black microphone housing, which was given a modern design in 2023, contains a back-electret condenser microphone capsule that acts as a pressure transducer, resulting in an omnidirectional characteristic that is typical for measuring microphones. This type of microphone capsule operates almost linearly across the entire audio spectrum, with deviations in the range of +/-1.5dB and between 50Hz and 16kHz. Each MM1 comes with a data sheet that provides information about the individual frequency response of the respective microphone. Together with measurement software or a system processor, the MM1 performs fundamental acoustic measurements – whether live or in the studio.

Specifications

Microphone Type: 2nd-order (2h1v) ambisonic for VR, surround, stereo, mono

Raw capsule information:

Number: eight

Medium-sized diaphragm: 12 mm diameter

Pattern: cardioid

Type: electret condenser

OctoMic pattern: variable, multiple simultaneously, selected at decode

Capsule ordering and channel assigment: OctoMic's "front" is indicated by the "Core" logo. Looking at the logo, the top/front capsule is #1. and the capsule to the lower right is #2. Above and to the right of capsule #2 is capsule #3.

Top ring of capsules: #1, #3, #5 and #7

Bottom ring of capsules: #2, #4, #6 and #8

Capsules tested, selected and matched into sets, with calibration data supplied for OctoMic A-to-B-format encoder plugin

Frequency response:

Raw: 40 Hz - 18.5 KHz +/- 4 dB

Calibrated: 30 Hz - 18.5 KHz +/- 2 dB

Self noise (complete array): 15 dBA

Phase: non-inverting

Maximum SPL per capsule: 135 dB

Sensitivity per capsule: 7.0 mV/Pa nominal (-43 dB ref: 1V/Pa)

PPAc8 output impedance: 85 Ohms

PPAc8 signal run distance: greater than 500 feet

Output connector:

compatible with Neutrik MRF12 (mates with Neutrik MSCM12)

breaks out to eight XLR-M plugs via PPAc8 system

Power:

48 Volt Phantom Power (with PPAc8 Phantom Power Adapter)

approximately 16 mA @ 48 VDC total (2.0 mA per capsule)

Shaft diameter: .70 inch (17.7 mm)

Overall length: 5 inches (12.7 cm)

Weight: 5.3 ounces (150 grams)

Re-calibration interval: 3 years (general usage), 2 years (precision acoustic measurements)

• Using OctoMic with 48V phantom power adapters other than those provided by Core Sound will void all performance specifications.

Digitisation and restoration studio at the Phonogrammarchiv, Kegelgasse 27, equipped with professional analogue sources, high-end A/D converters, 5.1 surround monitoring and various software for digital restoration.

Monitoring

• 5.1 Surround with Neumann KH 120 A and KH 810 G
• Merging Anubis Pro SPS (as Monitoring Controller)
• Beyerdynamic DT-1990 MKII headphones
• Beyerdynamic DT-1770 MKII headphones

A/D-converter

• Merging HAPI MKIII with ADA8V3P card (8-channel mic/line inputs)
• XLR-Breakout Panel by DirectOut
• RME ADI-2 Pro FS R Black Edition (USB AudioInterface)
• Tascam SS-R250N Solid State Recorder (rack-mounted, standalone)
• Dell Workstation

Software

• Steinberg Wavelab 12 Pro
• Steinberg Spectralayers 12 Pro
• iZotope RX11 Advanced
• Cedar Restoration Plugins

Equipment

• Studer A807 1/4-Zoll tape machine
• Technics SL-1200GR2 turntable with Jico J44A 7 DJ IMP SD pickup
• Timestep T-03EQ (phono preamplifier and equalizer, especially suited for historic disc formats)
• Tascam 202MKVII double cassette deck

The Dino-Lite Edge Series AM5218MZT is designed for connecting directly to HDTV or LCD monitors via DVI or HDMI interface with HD 720p format with a polarizer, making the AM5218MZT be most suitable for applications such as but not only: quick inspections, assembly lines, presentations, training, and more.
This updated Edge Series model delivers higher image quality with a state-of-the-art lens design, providing matchless image quality with stunning sharpness, least aberration, and least vignetting throughout the whole magnification range which is apparent in the whole Dino-Lite Edge Series.
The polarizer allows you to observe things in high resolution and see things you couldn’t with direct lighting with a full magnification range of 20x – 220x. The AM5218MZT’s MicroTouch provides the convenience to freeze the live video to examine details by pressing and holding the MicroTouch sensor for 1 second. The LEDs can also be switched by holding the same MicroTouch sensor for two seconds or more.

Package contents:
Microscope, carry pouch, DVI & HDMI cable, power adapter, user manual, N3C-O- Open cap, N3C-C- Closed cap, N3C-D- Diffuser cap, N3C-E- Extension cap, N3C-L- Long cap, N3C-S- Side light cap

Capture stunning images with the AM8917MZTL 8-megapixel long working distance digital microscope. Engineered with a comprehensive set of features, including AMR, this model is designed to excel in both imaging and measurement-oriented tasks.

• 8 Megapixels
• High Optical Resolution
• Automatic Magnification Reading (AMR)
• Extended Depth of Field (EDOF)
• Extended Dynamic Range (EDR)
• Depth Acquisition (DPQ)
• Enhanced Flexible LED Control (eFLC)
• Long Working Distance (LWD) Optics
• Adjustable Polarizer
• Robust Metal Housing
• 10x ~ 140x magnification (Edge shading occurs below 25x when previewing in 16:9 windows.)

Package contents:
Microscope, Carry Pouch, Edge Calibration Target, USB-A cable, USB-C cable, N3C-O- Open cap, N3C-C- Closed cap, N3C-D- Diffuser cap, N3C-E- Extension cap, N3C-L- Long cap, N3C-S- Side light cap

The Dino-Lite RK-06A stand is a sturdy and stable mid-range stand solution that can be used with all Dino-Lite digital microscopes. It is constructed of stainless steel and lightweight aluminum and offers precise fine-focus adjustment as well as a quick vertical release function.

Its adjustable horizontal arm has a 15cm range with 360-degree rotation and with the RK-10-EX arm (included) its effective range can be extended to observe larger objects. Various optional accessories are available for the RK-06A, such as the RK-10-FX flexible arm or the RK-10-PX, XY arm. With these features, the RK-06A is the ideal mid-range stand solution for precise orientation and maximum flexibility.

Analogue Modular System - Portable Suitcase Version

Basic system with PSU3 power supply (12V / 2000mA, 12V / 1200mA 100 - 230 V)
Installed modules and bus boards

Kit Contents:

2x standard VCO A-110
1x Ring Modulator A-114
1 x audio Divider A-115
1 x VC Waveform Processor A-116
1 x Noise / Random A-118
1 x VCF1 A-120 (24dB lowpass 1)
1 x XP VCF A-106-6 VCF2
1 x linear VCA A-130
1 x logarithmic VCA A-131
1 x linear mixer A-138a
1 x logarithmic Mixer A-138b
2x ADSR A-140
1 x LFO A-145
1 x LFO2 A-146
1 x Dual-S
1 x trigger divider A-160
1 x trigger sequencer A-161
1 x Dual Slew Limiter A-170
1 x Multiple IA-180
MIDI interface A-190-4
Including cable set consisting of 30 patch cables. 10x A-100C30 black, 15x A-100C50 grey, 5x A-100C80 red

Condenser Shotgun Mic

• Polar pattern: Supercardioid
• Frequency range: 20 - 20,000 kHz
• Sensitivity: 25 mV/Pa (-32 dB 1 V/Pa)
• Max. SPL: 148 dB SPL peak (THD 10 %)

Omnidirectional Headset Microphone

• Professional headset microphone with detachable and adjustable neckband for left/right applications
  *Directional characteristic: Omnidirectional
• Frequency response: 20 - 20,000 Hz
• +3 dB Presence boost from 8000 - 20,000 Hz
• Max. SPL (sound pressure level): 144 dB
• Especially suitable for capturing speech
• Colour: Beige

Cardioid Headset Microphone

• Professional headset microphone with detachable and adjustable neckband for left/right applications
• Directional characteristic: Cardioid
• Frequency response: 20 - 20,000 Hz
• +4-6 dB soft boost at 15 KHz
• Max. SPL (sound pressure level): 144 dB
• Especially suitable for capturing speech
• Colour: Beige

Scarlett 4i4 (3rd Gen) 6 In|8Out USB-C Audio Interface

• 24 bit / 192 kHz
• 2 Scarlett microphone preamps
• +48 V phantom power
• Switchable air function
• 2 Mic/Instrument/Line inputs: XLR/6.3 mm jack combo balanced
• 4 Line inputs: 6.3 mm jack
• 4 Line outputs: 6.3 mm jack balanced
• 2 stereo headphone outputs: 6.3 mm jack
• S/PDIF input and output coaxial
• MIDI input and output
• USB-C connection
• Input for external power supply
• For PC/Mac

24/192 Mono/Stereo Field Recorder with or without Phantompower, XLR and AES-Input-jacks

Active 2 Way Nearfield Monitor

• Speaker: 3" Woofer (25 W), 3/4" Tweeter (25 W)
• Frequency range: 74 - 20 kHz (+/-2.5 dB)
• 105 dB SPL Peak (1 m)
• Signal-detecting autostart function
• Connector: XLR female

2 Way Nearfield Monitor

• Linear frequency range: 54 Hz - 20,000 Hz (+/-2 dB)
• Maximum SPL: 110 dB (peak per pair with music material at 1 m distance)
• 5" Woofers
• 3/4" Metal dome tweeter with DCW
• Bass reflex housing made of aluminium
• Amplifier output: 50 W + 50 W
• Active crossover and effective protection circuits
• On/Off automatic
• XLR input

The proven HAROLUX® Studio Luminaire now with daylight LEDs.
Included:
1 x stand
1 x lamp body
1 x supply cable
2 x castors with locking brake
2 x castors without locking brake
2 x clamping unit

The Audio Spotlight is a revolutionary directional audio technology that creates sound in a narrow beam, just like light. Aim the thin, flat speaker panel to your desired listening area, and provide all of the sound and none of the noise.
This parametric speaker is designed for targeting single, stationary listeners in quiet environments.

Ioniser for neutralising electrostatic charge

Introducing the Field Kit by KOMA Elektronik – an electroacoustic box of wonders that unleashes a world of possibilities! Play with motors, sensors, contact microphones, radio signals!

Much like a versatile Swiss knife, the Field Kit boasts a plethora of functions, serving you an 4-channel mixer, LFO, a CV-able Radio, Envelope Follower, a sensor interface, and a DC interface – a comprehensive toolkit for sonic experimentation.

Enhance your sonic journey with the perfect companions! The Field Kit so even more fun with an Expansion Pack, Sensors or a Field Kit Eurorack Panel.

For those who enjoy the hands-on approach, explore the DIY version of the Field Kit.

Its all about the things you connect to the The Field Kit! To get you started we decided to offer an Expansion Pack with a bunch of different sources that you can use and connect to create your own signature sounds.

• 1x DC Motor
• 1x Solenoid Motor
• 1x Big Contact Mic
• 1x Electromagnetic Pickup
• 1x Speaker
• 3x Patch Cable 65 cm
• 3x Marbles
• 2x Awesome Spring
• 3x Small Spring

Its all about the things you connect to the Field Kit FX! To get you started we decided to offer an FX Expansion Pack with a bunch of handy cables, contact mic’s and a spring tank that you can use and connect to create your own signature sounds.

• 1x Spring Tank
• 1x Spring Tank Cable
• 1x Small Contact Mic
• 1x Big Contact Mic
• 1x Attenuator Cable
• 1x Feedback Cable
• 3x Patch Cable 65 cm

The Field Kit FX is a super versatile effects unit! It boasts a Frequency Shifter, Looper, Spring Reverb, Digital Delay, Bit Crusher, Sample Rate Reduction, 4 Channel Mixer with VCAs and tone control, a mini sequencer and ADSR, all under CV control! The Field Kit FX is more fun with the right tools! You could add the FX Expansion Pack, which offers a spring reverb tank and other goodies!

Laboratory stand with clamp

Whether you're a DJ, a live combo, a solo entertainer or at your next party, you need an all-round PA for everyday live performance that delivers professional sound for a variety of applications. Also on your list of essentials: a wide range of connections and accessory options for fast and flexible on-site setup, and maximum reliability. In a nutshell: your PA has to give its best around the clock.

With the DAVE 15 G4X, your search is over. This powered compact PA - which is made up of a 15" subwoofer and two 8" satellites (total power: 2060 W peak) - doesn't just deliver a new, modern design with numerous handling optimisations. It also offers an integrated 6-channel mixer with all the important input options you could ever need. This allows you to create a wide variety of setups and combinations of instruments, vocals and audio sources - both wired and wireless - thanks to integrated Bluetooth for easy streaming via a smartphone or tablet.

The first two channels of the mixer are designed as channel strips. Here, you can connect either a microphone, a high-impedance instrument - such as a guitar and/or bass - or line-level sources. A 2-band EQ for bass and treble, as well as an adjustable reverb with three presets (small, large, plate), are available for shaping the sound further. Channels 3 and 4 are designed as stereo line inputs, and are suitable for keyboards, synthesizers, drum machines or small electronic drum kits.

The DAVE 15 G4X becomes even more versatile when you use the digital SPDIF stereo input or the Bluetooth connection to add a media player, computer or smartphone to your performance setup, allowing you to play and control backing tracks, sound effects or music during your breaks. The inputs (channels 5 and 6) can also be used for a karaoke system, or simply to connect a TV device in the sports bar for an impressive sound experience.

Speaking of impressive sound, the DAVE 15 G4X has been completely redesigned and developed from scratch. This not only benefits instruments and music, but also speech intelligibility when the PA is used for speech reinforcement. The acoustic concepts include new compression drivers and waveguides for a homogeneous and directional dispersion, as well as FIR filters and state-of-the-art DSP technology for a transparent, colourless sound that brings the DAVE Series to a whole new level. The subwoofer, for example, is equipped with a larger voice coil and an optimised bass reflex system to reduce air flow noise to a minimum.

The DAVE 15 G4X is predestined for flexible use. The selectable mode presets (for classic stereo use or set up with two closely spaced satellites on a T-stand above the subwoofer) contribute to this - the DAVE G4X is convincing in terms of sound in all configurations. For example, the Cluster Mode preset allows the interference-free coupling of two satellites by means of a special M/S split and reproduction of the stereo signal for more headroom and directivity.

LD Systems has also thought of all common applications when it comes to accessories. These range from custom-fit bags and a castor board to the T-stand mentioned above.

• 4 Adjustable headphone outputs
• 6.3 mm Stereo jack connectors
• RCA L / R and 6.3 mm jack input
• Switchable mono stereo
• Operates with external DC power supply
• Max. output power: 4x 100 mW
• Input impedance: 1 kOhm
• Incl. 24 V DC power supply

Perfectly equipped throughout, the MAUI® 5 GO is the ultimate system to deliver crystal-clear, powerful sound in any location. The ultra-portable battery-powered column-PA is supplied by a high-performance lithium-ion unit that provides power for up to 20 hours operating time. The charger is built into the subwoofer. An external charging dock is available as an accessory. Inputs for microphone, instrument and line signals as well as Bluetooth® stereo streaming make the MAUI® 5 GO the ideal system for street musicians or for music and speech reproduction at private and business events and all mains power-free applications.

Its superlight weight of just 13 kg makes the four-piece design ultra-easy to transport, and thanks to its special multipin connectors, it is assembled and ready to use in seconds. The line-array arrangement of the drivers achieves an extremely high range. The system’s wide dispersion and excellent feedback-resistance removes the need for separate monitors. With 800 watts peak power, the MAUI® 5 GO is the loudest and best-sounding battery-powered PA system on the market, effortlessly providing sound for audiences of over 100 people.

For unparalleled sound quality in all applications, the column system features LD Systems' LECC DSP with multi-band limiter, equalizer, compressor and crossover. The integrated 4-channel mixer provides separate volume controls for the input channels, sum and subwoofer as well as a variable high-frequency boost to facilitate fast and balanced adjustment to the sound. In addition, LD Systems' Quick-Swap-Technology® enables the immediate, problem-free replacement of the battery element and thus offers the possibility of extending the operating time of the MAUI® 5 GO as desired.

Perfectly equipped throughout, the MAUI® 5 GO is the ultimate system to deliver crystal-clear, powerful sound in any location. The ultra-portable battery-powered column-PA is supplied by a high-performance lithium-ion unit that provides power for up to 20 hours operating time. The charger is built into the subwoofer. An external charging dock is available as an accessory. Inputs for microphone, instrument and line signals as well as Bluetooth® stereo streaming make the MAUI® 5 GO the ideal system for street musicians or for music and speech reproduction at private and business events and all mains power-free applications.

Its superlight weight of just 13 kg makes the four-piece design ultra-easy to transport, and thanks to its special multipin connectors, it is assembled and ready to use in seconds. The line-array arrangement of the drivers achieves an extremely high range. The system’s wide dispersion and excellent feedback-resistance removes the need for separate monitors. With 800 watts peak power, the MAUI® 5 GO is the loudest and best-sounding battery-powered PA system on the market, effortlessly providing sound for audiences of over 100 people.

For unparalleled sound quality in all applications, the column system features LD Systems' LECC DSP with multi-band limiter, equalizer, compressor and crossover. The integrated 4-channel mixer provides separate volume controls for the input channels, sum and subwoofer as well as a variable high-frequency boost to facilitate fast and balanced adjustment to the sound. In addition, LD Systems' Quick-Swap-Technology® enables the immediate, problem-free replacement of the battery element and thus offers the possibility of extending the operating time of the MAUI® 5 GO as desired.

High-quality lightboxes, perfectly suited for screening of sensitive materials such as paper, graphics or textiles.
The low aluminium housing offers a good heat elimination and even illumination. The boxes are slightly inclined for comfortable working. External power supply included (1,4 m cord).
100 - 240 V / 50 / 60 Hz

This little microphone has a natural, detailed and balanced response. Perfect for natural reproduction of acoustical instruments such as members of the bowed and plucked string-families, grand piano, brass, percussion, overhead choir and voice -with a minimum of colouration. The linear off axis performance is beneficial with large sound sources and for stereo recording, preserving sound character at an angle.
The CM4 is tough enough to handle drums with full depth and punch, drum overhead clearly and crisp without strain. It also handles amplified instruments well. -A true allround microphone!
It's suitable for professional studio and PA use, with a pricetag at the hobbyist level!
It's very small size (about the same as a normal XLR plug) makes it easy to place, without being in the way. Its size and black colour makes it less visible on stage. Delivered with foam windsheild and microphone clip/holder (3/8" and 5/8").
During manufacturing each capsule is measured, selected, and modified by us to close tolerances. Out of range capsules are rejected. This in combination with the internal circuitry, results in a response with a unique flatness. These are quality microphones made for demanding situations.

Geofón is a sensitive omnidirectional geophone adjusted for field recording purposes. Originally designed for seismic measurements, it can be used with regular field recording equipment to capture very faint vibrations in various materials and even soil.

Directivity: omnidirectional
Frequency response: 10 – 1000+ Hz
Impedance: 3500 Ω
Resonant frequency: 14 Hz
Open–circuit sensitivity: 80.0 V/m/s
Cable: 1.5 m, robust polyurethane jacket, shielded
Output: XLR-3M balanced, gold-plated black Neutrik connector
Dimensions & weight: 52.5 mm x 36.5 mm ⌀, 190 g (including the cable and the magnet)

Geofón is a sensitive omnidirectional geophone adjusted for field recording purposes. Originally designed for seismic measurements, it can be used with regular field recording equipment to capture very faint vibrations in various materials and even soil.

Neodymium magnets may cause interference with credit cards (magnetic stripes), cardiac pacemakers and ICDs.

Due to the nature of the geophone sensor, you may experience picking up electromagnetic interference in specific urban areas and other places with strong electromagnetic fields.

Specs:

Directivity: omnidirectional
Frequency response: 10 – 1000+ Hz
Impedance: 3500 Ω
Resonant frequency: 14 Hz
Open–circuit sensitivity: 80.0 V/m/s
Cable: 1.5 m, robust polyurethane jacket, shielded
Output: XLR-3M balanced, gold-plated black Neutrik connector
Dimensions & weight: 52.5 mm x 36.5 mm ⌀, 190 g (including the cable and the magnet)

A compact and portable solution for stereo monitoring of electromagnetic fields. A simple solution for recording electromagnetic fields on the go using handheld recorders.

Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.

Equipment:

• Yamaha TF1 digital mixingconsole
• 8x JBL Control 28-L1 Outdoor Speakers
• Audinate Dante AVIO USB to Dante Adapter
• 4x Neumann KH 150 Studiomonitors
• 3x DAP Audio QI-4400 4 Channel Amplifier
• 2x DLINK DGS-1210-28 Smart Managed Switch

USB/Firewire 400 Multichannel Audio Interface

• 10 Inputs / 14 Outputs
• 2 Hybrid Inputs: Hi-Z-Instrument-Ins / XLR-Mics Ins
• 24-Bit, 192 kHz Analog symmetric TRS In and Outputs
• Precision Digital Trim™ - digitale Pegelsteuerung für alle analogen Eingänge
• S/PDIF 24-bit 96 kHz (digital) 2 Ins, 2 Outs
• Midi In/ Midi Out

Two Way Active Nearfield Monitor
Neumann’s acclaimed studio monitor taken to a new level with deeper bass, higher resolution, and DSP power.

• Linear frequency and phase response
• DSP engine for improved performance and automatic room alignment
• Deep low end down to 44 Hz and high SPL capability in a small format
• Analog and S/PDIF connectivity
• Dimensions (H x W x D): 287 x 182 x 227 mm
• Weight: 5.4 kg

Active Studio Monitor

• 3 Way System
• Maximum sound neutrality and transient response
• Uniform directivity
• Precise bass reproduction down to 34 Hz
• LF input with extremely low distortion electronically-balanced input stage
• Magnetically shielded
• Variable adaptation within three frequency ranges

Technical data:

• Peak power: 210 W (Woofer), 90 W (Midrange), 90 W (Tweeter)
• Continuous power: 150 W (Woofer), 70 W (Midrange), 70 W (Tweeter)
• Free-field frequency response: 34 Hz - 21 kHz, +/- 3 dB
• Total harmonic distortion (THD)
• Sound pressure level: 120.2 dB SPL at 1 meter in half space at 3% THD
• Membrane dimensions: Woofer 8 1/4", Midrange: 3", Tweeter: 1"
• Controller-Technology: Analog, active
• Crossover: Crossover frequency 650 Hz/2 kHz
• 24 dB/Okt
• Equalization: Bass: 0..-7.5 dB, Midrange: 0..-4.5 dB, Treble: 1..-2 dB, each adjustable in 4 steps
• Audio input (analog): XLR> 10K ohms electronically balanced
• Dimensions: 253 x 383 x 292 mm
• Weight: 13.0 kg
• Mounting option: 2 x M8 side

Small Diaphragm Condenser Microphone

2x Smal condenser microphones KM 184 (with continual serial number)
2x WNS 100 Windscreen
2x SG 21 Stand joint
Colour: Matte black

Polarpattern: Cardioid
Max. SPL: 138 dB
S/N Ratio: 81 dB
Sensitivity: 15 mV/Pa

Binaural Stereophonic Microphone

• For head-related stereophony
• Two-stage switchable subsonic filter
• Switchable 10 dB pre-attenuation
• Balanced and unbalanced outputs: XLR + BNC
• Power supply via standard phantom power (48 V), battery or with the supplied mains adapter
• Incl. connection cable IC 5, adapter cable AC 20 and aluminium case

Large Diaphragm Microphone

• Pressure gradient receiver
• Polar pattern: omnidirectional, cardioid, figure-of-eight
• Switchable 10 dB attenuation
• Nominal impedance 200 Ohm
• Frequency response 20 - 20,000 Hz
• Sound pressure level for k < 0.5%: 117 dB (cardioid)
• Sound pressure level for k < 0.5% with pre-attenuation: 127 dB
• 48 V phantom powering required
• Dimensions (diameter x length): 56 x 200 mm
• Weight: 500 g
• Colour: Nickel
• Suitable elastic suspension: art. 125520 (not included)
• Suitable tripod mount: art. 218556 (not included)

OKM microphones are worn in the ear, producing recordings that match the user’s subjective auditory experience. In addition to music recordings, OKM microphones are particularly well-suited for ASMR recordings. Another area of application is nature/field recording. Clips are included with the microphones for use as clip-on microphones.

• Matched pair
• Omnidirectional pattern
• Ideal for live music, speech, and video recording
• Compatible with line inputs
• Worn in the ear like Walkman headphones during recording
• Artificial head stereo
• Includes A3 adapter for pre-attenuation and bass cut

Portable CD-player

The acoustic parabolic mirror set consists of an portable acoustic mirror and a highly sensitive microphone (Schoeps CCM21), for picking up sounds from great distances.

Temperature and relative humidity measurements begin immediately after switching on. Because the mini thermo-hygrometer is battery-powered, it is ideal for measurements anywhere. The built-in buttons also allow for one-handed operation.

Class II sound level meter with logger function/ USB interface

• Measuring range 30 ... 130 dB
• Resolution 0.1 dB
• USB interface for data transfer
• 32700 measured values can be stored
• Fast and slow time evaluation
• date and time
• robust ABS plastic housing
• large LCD

Rekordbox-compatible HiRes USB player

• CDJ-style design
• Support for high-quality audio formats
• High-resolution 7-inch full-colour LCD touchscreen
• Multi-colour waveform display and zoom function
• Browser features: matching, track filter, search
• Advanced performance features: Hot Cues, Quantise, MIDI controller interface
• Pro DJ Link: Link Export, Beat Count and Phase Meter, Beat Sync
• On Jog Display
• Shortcut button
• Memory Cues
• My Settings
• Beat Jump
• MIDI/HID control
• Dimensions (W×H×D): 305 × 110 × 382.5 mm
• Weight: 3.7 kg
• Colour: Black

• USB-C 2x2 audio interface bus-powered
• Integrated loopback mixer with effects
• 2 XMAX-L microphone preamps
• 2 XLR/jack combo inputs
• 2 line monitor outputs 6.3mm jack
• LED level meter
• MIDI In/ Out
• Headphone output 6,3mm jack
• Frequency range: 20 - 20000 Hz
• 48 Volt phantom power
• Integrated DSP for signal processing
• Remote control via and Surface software mixer for iPadOS, Windows and Android

Inputs: 4 microphone preamps 2 mono line 4 stereo line
Integrated PRO DSP FX processor with 16 presets
Stereo recording and playback via USB
2 compressors with individual controls
Balanced signal path from input to output (main)
1 aux/FX (post)
Mono channels with 3-band EQ Stereo channels with 2-band EQ

The new generation of mixers in the F series from RCF offers high-quality sound in five formats from 6 to 24 channels. 16 professional effects, including reverb (Hall, Room, Plate, Spring), delay (mono, stereo and multitap), chorus, flanger and echo. F 10XR enables stereo recordings on computer-based DAWs and 2-channel playback with the USB audio interface.

Half-rack MADI-AVB converter with analog connectivity.
The RME AVB Tool combines MADI and deterministic AVB networked audio with four high-precision microphone, instrument and line level inputs, plus headphone and separate line level outputs. Following RME’s concept of maximum versatility and connectivity, 128 channels of MADI I/O have been also added to this half rack 19” device.

• 4 TRS/XLR Connectors
• MADI In/Out
• AVB Networkport (RJ45)
• Word Clock In/Out
• Heaphone Output
• 2 Line Outputs (TRS)

USB 2.0 Audio Interface 40 channel

• 24 Bit / 192 kHz AD/DA converter
• 20 Input and output channels
• SteadyClock FS
• Stand-alone functionality
• DURec feature: built-in digital recorder for all inputs and outputs directly to USB storage devices via the rear USB port (enables recording to USB sticks or hard drives with up to 2 TB capacity)
• TotalMix mixing / routing software
• DigiCheck software
• Class Compliant
• Compatible with optional ARC USB remote control (not included)
• DC-coupled outputs - CV/Gate Voltage Control
• +48 V phantom power
• Colour display
• Housingt type: 9.5" 1 U

Connections:

• 2 Mic/line combo inputs: XLR / 6.3 mm jack
• 2 Instrument/line inputs: 6.3 mm jack
• 4 Line inputs: 6.3 mm jack
• 6 Line outputs: 6.3 mm jack
• Stereo headphone output: 6.3 mm jack
• ADAT input and output
• Word Clock input and output
• AES/EBU and S/PDIF coax
• MIDI input and output
• DUrec USB

USB 2.0 Audio Interface 40 channel

• 24 Bit / 192 kHz AD/DA converter
• 20 Input and output channels
• SteadyClock FS
• Stand-alone functionality
• DURec feature: built-in digital recorder for all inputs and outputs directly to USB storage devices via the rear USB port (enables recording to USB sticks or hard drives with up to 2 TB capacity)
• TotalMix mixing / routing software
• DigiCheck software
• Class Compliant
• Compatible with optional ARC USB remote control (not included)
• DC-coupled outputs - CV/Gate Voltage Control
• +48 V phantom power
• Colour display
• Housingt type: 9.5" 1 U

Connections:

• 2 Mic/line combo inputs: XLR / 6.3 mm jack
• 2 Instrument/line inputs: 6.3 mm jack
• 4 Line inputs: 6.3 mm jack
• 6 Line outputs: 6.3 mm jack
• Stereo headphone output: 6.3 mm jack
• ADAT input and output
• Word Clock input and output
• AES/EBU and S/PDIF coax
• MIDI input and output
• DUrec USB

The Blimp is the ultimate windshield and shock mounting system for RØDE shotgun microphones, as well as any third-party shotgun microphone up to 325mm in length. It features a Rycote® Lyre® suspension system for superior isolation from handling noise, plus an ultra-lightweight and ergonomic handle. Housed inside the grip is a heavy-duty Mogami® cable that splits via a junction box to a flexible thin cable inside the Blimp, which minimise the transference of vibration to the microphone.

The Blimp attaches to any standard boompole with a 3/8-inch thread attachment at the base. The Universal Blimp Mount is available as an option to remove the handle when the Blimp is being used primarily on a boompole. The Dead Wombat windshield, caring brush and tail/patch cable are included.

Ambisonic Microphone

The 'SoundField by RØDE' NT-SF1 is a peerless ambisonic microphone that captures broadcast-quality 360° surround sound, offering unprecedented sonic possibilities for use in VR, sound design, immersive audio, and experimental recording applications. The NT-SF1 is the first collaboration between ambisonic pioneers SoundField (who invented the first commercial ambisonic microphone) and RØDE.

• Stereo microphone with 90° X/Y arrangement - one small diaphragm condenser microphone on each side
• Capsule size: 0.5" (13mm)
• Active electronics: JFET impedance converter
• Pickup pattern: Cardioid per capsule
• Output impedance: 200 Ohm per side
• Frequency range: 20 Hz - 20 kHz
• Sensitivity: -38 dB re 1v/Pa +/- 2 dB or 12mV/Pa at 1 Pa = 94 dBSPL
• Signal-to-noise ratio: <16 dB SPL, (A-weighted per IEC268-15)
• Max. output: +13.9 dBu @ 1% THD into 1k
• Dynamic range: > 128 dB
• Max. sound pressure SPL: 143 dB @ 1% THD into 1k
• Signal-to-noise ratio: 78 dB
• Power supply: 4 mA, P48 (38V-52V) 2 mA, P24 (20V-26V) 2.8 mA, P12 (10.8V-13.2V) 2.4 mA uses 9V battery
• Weight: 480 g
• Incl. stand holder, windscreen and 2 adapter cables (2x XLR or stereo mini jack - cable length XLR 5pin to 2x XLR 3pin: 2.3 m)

The NTG5 is an ultra-lightweight professional shotgun microphone that is ideal for use in the most demanding recording applications. Featuring a revolutionary acoustic design, tightly controlled frequency response, smooth off-axis response, and very low self-noise (just 10dBA), the NTG5 sounds spectacular in a wide variety of applications, particularly location recording and filmmaking scenarios where superlative audio is imperative.

Key Features
• Revolutionary acoustic design with unmatched acoustic transparency and a natural, uncoloured sound
• Extremely lightweight (just 76g) and short in length (just 203mm)
• Tightly controlled frequency response and very low self-noise
• Highly directional supercardioid polar pattern
• RF-bias technology and conformal coating ensure superior performance in adverse conditions
• Comes in a complete location recording kit with WS10 windshield, PG2-R pistol grip and accessories

Specifications
Acoustic Principle: RF-bias condenser
Active Electronics: RF-bias demodulation
Polar Pattern: Supercardioid shotgun
Frequency Response: 20 Hz - 20 kHz
Frequency Response: 80 Hz - 20 kHz ±3 dB
Output Impedance: 25 Ω
Signal-to-noise Ratio: 84 dB
Equivalent Noise: 10 dB SPL (A-weighted, as per IEC651)
Input SPL @ 1% THD: 130 dB SPL (1kHz @ 1% THD, 600 Ω load)
Power Requirements: 2 mA @ 48V phantom power
Sensitivity: -23.5 dB re. 1 Volt/Pascal or Better (66 mV @ 94 dB SPL @ 1 kHz)

• For radio and dubbing studios as well as for professional podcasting
• Internal pop filter and insensitivity to HF- and other electromagnetic interference
• Neodymium large diaphragm capsule
• Polar pattern: Cardioid
• Frequency range: 75 - 18.000 Hz
• Output impedance: 32 Ohm
• Sensitivity -56.0 dB re 1 V/Pascal (1.60 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz

Telescopic fishing rod made of black anodised aluminium

Usable length: from 0.84 to 3 m
Cable can be routed internally
Compatible with any standard 3/8’ thread
Weight: 950 g

Digital 2-Channel Wireless Microphone Set

Compatible with cameras, smartphones, Mac and PC
2.4 GHz band
Range: 260 m (free line of sight)
TX terminal transmitter with integrated microphone
Polar pattern: Omnidirectional
Limiting sound pressure level: 123.5dB SPL (1 kHz @ 1 m)
Frequency range: 20 - 20,000 Hz (internal microphone)
3.5 mm TRS input (lockable) for connecting the Lavalier II
GainAssist automatic level control
32 GB internal memory for over 40 hours of audio (WAV uncompressed)
32-Bit float recording
SMPTE timecode generator
3.5 mm TRRS jack for camera or headset allows monitoring and simultaneous recording of a third microphone signal
Power supply: internal LiPo battery (4200 mAH)
Battery capacity: 7 hours (charging via USB-C)
Dimensions (per module): 47 x 44 x 20 mm
Weight (per module): 36 g

Set consisting of:
2x TX terminal transmitter
1x 2-Channel receiver
2x Lavalier II microphone
1x Charging case
1x Accessory case
2x MagClip GO
1x 3.5 mm TRS spiral cable (SC2)
1x USB-C to Lightning cable (SC21S)
1x USB-C to USB-C cable (SC22)
1x USB-C to USB-C cable (SC34)
3x Fur windscreen (TX)
2x Head windscreen (Lavalier II)

Radio link set consisting of 2 transmitters and 1 receiver

Set contains:

• Charging case,
• 2x USB-C cable
• Lightning to USB-C
• 2x Lavalier Microphone
• 2x Rode magnet clips,
• small stereo blade spiral cable red,
• 5x windscreen,
• 2x normal lavalier clips,
• Accessory case,
• 2 transmitters
• 1 receiver

Portable MP3/WAV Recorder with Bluetooth Functionality

Stereo recordings up to 24 bit / 96 kHz in WAV format or up to 396 kbps in MP3 format on microSD/SDHC card
Built-in stereo microphone
Integrated hybrid limiter
Dual recording function for simultaneous WAV and MP3 recording
Remote control via Bluetooth using smartphone or smartwatch
One-touch scene function
Integrated tuner and metronome
Backlit LCD
Built-in speaker
Microphone input
AUX input
Stereo headphone output
USB
Power supply: 2 AA batteries or USB
Compatible with Windows 7 or later
Dimensions (W x D x H): 61 x 103 x 26 mm
Weight with batteries: 150 g

Windshield for Small Diaphragm Condenser Microphones (i.e. Neumann KM184)

Small Diaphragm Condenser Microphone

Polar Pattern: Wide Cardoid
Output impedance: 90 Ω @ 1 kHz
Maximum sound pressure level (THD < 0.5 %): 136 dB-SPL (P48)
Diameter: 20 mm
Weight: 45 g

This type of microphone has a directional pattern between omni and cardioid. The basic idea in designing the CCM 21 was to combine the advantages of the cardioid with those of the omni. This results in a pickup pattern which blends the two sets of characteristics in a useful manner. It has fuller and more extended low frequency response than a cardioid, with less proximity effect, while attenuating side- and rear-incident sound less than a cardioid.

The polar diagram shows the directivity of the CCM 21 to be only slightly dependent on frequency. This contrasts with omnidirectional capsules, whose directivity increases with rising frequency, and with cardioids (at least smaller ones), which tend to accentuate high frequencies that arrive at oblique angles. The CCM 21’s orientation is less critical than with a cardioid, since direct sound arriving on axis and reverberant or other sounds off axis are both reproduced accurately. This lack of coloration in the off-axis pickup produces a “warm” and natural sonic impression.

Ultrasonic Microphone with Hi-Res Preamplifier

This microphone, including a high-quality preamplifier, is suitable for recording sound sources outside the human hearing range in order to make them audible later by pitching them down.

• Hi-Res microphone preamplifier with MK 2 microphone capsule
• Distortion-free recording above 40 kHz
• Frequency response: 20 Hz – 60 kHz
• MK 2 capsule with omnidirectional pickup pattern

Handmade small diaphragm condenser capsule
Polar pattern: Cardioid
Frequency range: 20 to 20,000 Hz
Max. SPL (0.5% THD): 139/149/159 dB SPL (0/10/20 dB pad)
13 dB (A) inherent noise
LoCut switchable: 80 / 160Hz (6dB / oct.)
Pad switchable: 0dB, 10dB, 20dB
Requires 48 V phantom power
Dimensions per micro: 23 x 120 mm (diameter x length)
Weight per mic: 141g
Includes windscreen, microphone clamp, stereo bar and transport case

Fully Digital Portable UHF Wireless System

• For video applications
• With ME 2 condenser lavalier microphone
• Frequency range U1/5: 823 - 832 / 863 - 865 MHz
• Bluetooth for synchronisation and control
• Smart Notifications for troubleshooting and system guidance
• Battery life: transmitter up to 12 hours / receiver up to 7 hours
• Dynamic range: 134 dB
• System latency: 1.9 ms
• Transmitter power: 10 mW
• Up to 56 MHz switching bandwidth
• Receiver stackable and magnetically mountable
• Receiver charging possible via USB-C port
• Smart Assist app for monitoring and control
• Receiver dimensions (W x H x D): 86 x 28 x 67 mm
• Pocket transmitter dimensions (W x H x D): 63 x 80 x 20 mm
• Receiver weight: 140 g
• Weight of pocket transmitter: 120 g
• Includes digital portable single-channel receiver EW-DP EK, digital bodypack transmitter EW-D SK, lavalier microphone ME 2 (cardioid polar pattern), mounting kit, Li-ion battery BA 70 and two AA batteries, cable 3.5 mm mini-jack TRS to 3.5 mm mini-jack TRS

Professional closed heaphones für monitoring in loud enviroments

• Conncetors: 6,3 oder 3,5 mm jack
• Frequencyresponse: 16 Hz – 22000 Hz
• Impedance: 70 Ohm
• Design: On-Ear

The MKE 2 sub-miniature omni-directional lavalier is ideal for television broadcast and theatrical productions. Its accurate frequency response produces natural, uncolored sound. A unique Umbrella Diaphragm delivers moisture-resistant performance with the identical high audio quality of the industry standard MKE 2 lavalier. Its size makes it not only unobtrusive and easy to conceal, but also offers a textbook perfect omni-directional polar pattern. An extremely thin low mass diaphragm exhibits extraordinary transient response. The microphone also comes with two additional sound inlet caps to tailor the high frequency as needed.

Color: matte black.
Connection: 3.5mm jack plug with threaded nut

Condensator Shotgun Mic

• Polar pattern: Supercardioid / Lobar
• Frequency range: 40 - 20,000 Hz
• Max. SPL (P48): 132 dB
• Max. SPL (battery): 126 dB
• Power supply via 48 V phantom or 1.5 V AA battery up to 150 hours

Condenser Shotgun Mic

Short shotgun interference tube mic for film, radio, and television, especially for outside applications. Excellent directivity and compact design.
The venerable MKH 416 is a compact pressure-gradient microphone with short interference tube, highly immune to humidity due to its RF condenser design. Featuring high directivity, low self noise, high consonant articulation and feedback rejection, the MKH 416 can handle difficult exterior filming and reporting conditions without any difficulty. Supercardioid/lobe pattern, matte black finish, supplied with the MZW415 windscreen

Polar pattern: Super-cardioid/lobar
max. SPL: 130 dB

Double MS surround microphone, consisting of one Sennheiser MKH 8030 and two MKH 8040 in a Rycote Cyclone windshield cage. This set has a XLR-7M (7-pin male) connector.

The SM57 LC from Shure is a dynamic cardioid microphone and a true classic in the studio and on stage. It is suitable for picking up both instruments and the human voice, which is why this microphone can be found in front of countless instruments, amplifiers, and mouths. The microphone is very well made, with a robust housing and a solid grille protecting the electronic components and microphone capsule from mechanical damage. Shure specifies the microphone's frequency response as 40-15,000Hz, with a sensitivity of 1.88mV/Pa.

With its frequency response optimized for vocals and its warm, clear sound, the SM58 is a legendary vocal microphone worldwide. The Shure SM58 is a dynamic microphone for lead and backup vocals in live performances, professional audio amplification, and studio recordings.

The IKO is a revolutionary 3D audio speaker and the world’s most compact loudspeaker system based on Higher Order Ambisonics (HOA) technology. Utilizing complex algorithms, the IKO can direct sound beams to any desired direction within a space. By leveraging wall and ceiling reflections, the IKO creates an immersive sound field that places the listener at the center of the media and artistic experience. This allows for highly immersive auditory experiences with a single sound source.

Paired with the d:24 amplifier from Sonible, the IKO forms an extremely compact and versatile audio playback system. The d:24 amplifier features high-quality Class-D components, strict separation of power and control electronics, and sophisticated circuit design to ensure uncompromised signal amplification in a small footprint. This combination makes the IKO the first mobile and commercial Higher Order Ambisonics instrument worldwide.

Easy to use DAT Walkman.

Not only for its very good audio-quality famous Recording Walkman.

The SoundArtLab (SAL) in the DIGITAL ART department works with the spatial qualities of sound-based elements. Sound-based elements of space are understood as sound as a space-based event (O'Callaghan, 2010), sound effects as spatially defined interactions of sound waves with architectural objects (Augoyard & Torgue, 2019), and sound atmospheres (Schmitz, 2020). Based on artistic productions and the method of “architectural listening” (Kirisits, 2025), strategies are developed to use these architectural elements in artistic practice.

In addition to a 2-channel studio system, SoundArtLab_Ambisonic also has a 20-channel Ambisonic system. The Ambisonic format used enables the resulting spatial works to be reproduced on different speaker configurations in installation situations or headphones (binaural). The Dante network allows all rooms in the PSK to be acoustically connected to the SoundArtLab.

3 Preamp, 5 Track, 32-Bit Float Mobile Audio Recorder

• 5 Tracks: stereo mix + 3 single inputs
• Recordings with maximum 32-bit float / 192 kHz
• Dynamic range: 142 dB (A weighted, gain = 10 dB, fader = 0 dB)
• Built-in timecode generator
• Kashmir microphone preamplifier with 76 db gain
  Noise: -128 dBu maximum (A-weighting, gain = 76 dB, 150 Ohm source impedance)
• Limiter per channel
• Low Cut Filter 40 Hz to 160 Hz, adjustable with 18 dB/Octave
• 5-in/2-out Audio Interface (USB-C)
• SD, SDXC or SDHC card recording up to 512 GB
• Timecode input
• 3 Mic/line XLR Inputs
• Stereo aux/mic input with 3.5 mm jack
• 48V Phantom power
• 3.5 mm Stereo output
• Headphone output
• Powered by 4 x AA batteries, bus-powered via USB-C or mains adapter
• Free Wingman app for remote control of the MixPre II series

8 Track Mobile Field Recorder

• 8 Tracks: Stereo mix + 6 single inputs
• Recordings with maximum 32-bit float / 192 kHz
• Dynamic range: 142 dB (A weighted, gain = 10 dB, fader = 0 dB)
• Built-in timecode generator
• Kashmir microphone preamplifier with 76 dB gain
• Noise of unit: -128 dBu maximum (A-weighting, gain=76 dB, 150 Ohm source impedance)
• Limiter per channel
• Low Cut Filter 40 Hz to 160 Hz adjustable with 18 dB/octave
• 8-in/4-out Audio Interface (USB-C)
• SD, SDXC or SDHC card recording up to 512 GB
• Timecode input
• 4 Mic/line combo Inputs
• Stereo aux/mic input with 3.5 mm jack
• 48 V Phantom power
• 3.5 mm Stereo output
• Headphone output
• Powered by 4 x AA batteries, bus-powered via USB-C or power supply adapter
• Free Wingman app for remote control of the MixPre II series

8 Track Mobile Field Recorder

• 8 Tracks: Stereo mix + 6 single inputs
• Recordings with maximum 32-bit float / 192 kHz
• Dynamic range: 142 dB (A weighted, gain = 10 dB, fader = 0 dB)
• Built-in timecode generator
• Kashmir microphone preamplifier with 76 dB gain
• Noise of unit: -128 dBu maximum (A-weighting, gain=76 dB, 150 Ohm source impedance)
• Limiter per channel
• Low Cut Filter 40 Hz to 160 Hz adjustable with 18 dB/octave
• 8-in/4-out Audio Interface (USB-C)
• SD, SDXC or SDHC card recording up to 512 GB
• Timecode input
• 4 Mic/line combo Inputs
• Stereo aux/mic input with 3.5 mm jack
• 48 V Phantom power
• 3.5 mm Stereo output
• Headphone output
• Powered by 4 x AA batteries, bus-powered via USB-C or power supply adapter
• Free Wingman app for remote control of the MixPre II series

The Sound Devices MixPre-10 II is a versatile and powerful recording device designed for a wide range of audio applications. The unit is rented in a protective carrying case, including an additional battery and an adapter for use with the Core Sound OctoMic Ambisonic microphone. This set is specifically designed and prepared for Ambisonic recordings with the OctoMic.

Technical Specifications of the MixPre-10 II:

• 8 Inputs: High-quality microphone/line inputs with Kashmir microphone preamps.
• 32-Bit Float Recording: Captures the finest details and a wide dynamic range at up to 192 kHz.
• Flexible Use: Functions as a standalone recorder or a 12-in/4-out USB audio interface.
• Storage Media: Records to SD cards with USB backup capability.
• Ambisonics-Compatible: Supports both A- and B-Format.

Soundstudio located at Rustenschacherallee 2-4 with professional monitoring setup and recording booth for voiceovers.

Monitoring

• Neumann KH 310
• Adam Audio T7V
• Dangerous Music Source (Monitor Controller)
• Beyerdynamic DT-990 (Headphone)

Auxilary

• Warm Audio WA273 (2 channel Mic Preamp)
• RME Fireface UFX II (60-Kanal USB Audiointerface)
• Rean NYS (Patchbay)
• Mac Mini

Software

• Ableton Live Suite 12
• Avid Pro Tools
• Reaper
• izotope Everything Bundle (with RX12 and Ozone)
• Max 8
• Fabfilter Bundle
• Soundtoys Bundle

Equipment

• Doepfer A-100 (Modular System)
• Austrian Audio OC818 Studio Set (Large Diaphragm Microphone)
• Technics SL-1210 (Directdrive Turntable)
• Pioneer XDJ-1000MK2 (USB DJ Player)
• A&H Xone:92 (DJ Mixer)

Network Capable Solid-State-/Audio Recorder

• Recording and playback at max. 24-Bit / 96 kHz to/from USB sticks (up to 64 GB)
• SD/SDHC/SDXC cards (up to 128 GB)
• Two SD card slots for backup and relay recording
• Automatically generates markers in the event of errors or overload
• Pre-recording
• Auto-Track function
• Automatic level adjustment
• Timer function
• Instant recording
• Functions such as Call, Ducking, Incremental Play
• Auto-Cue
• Pitch control
• EOM signal
• Link playback function (operate two devices in parallel from one)
• Automatically close files
• Network Function: FTP client enables automatic upload of recordings to an FTP server or automatic download of audio files from an FTP server
• Event logs for recording
• Playback
• Download and other functions allow time-controlled execution of certain actions
• Time synchronisation via SNTP client
• iOS/Android app for transport control and remote control of various settings
• Phantom power
• Integrated power adapter
• LCD

Connections:

• 2 Balanced XLR microphone/line inputs
• 2 RCA inputs (L/R)
• 2 Balanced XLR line outputs (L/R)
• 2 RCA outputs (L/R)
• AES/EBU
• S/PDIF input and output coaxial
• RS-232C as well as parallel connection
• Stereo headphone output 6.3 mm jack
• Ethernet
• Optionally expandable with Dante Interface Card (not included)
• Body shape: 19" / 1 RU
• Dimensions (W x H x D): 483 x 45 x 301 mm
• Weight: 3.2 kg

Direct Drive Turntable

• Die-cast aluminium housing
• Adjustable start and stop time
• Pitch adjustment range: ± 8% / ± 16%
• Reverse play function
• LED stylus lighting
• Height adjustment range for tonearm: 0 - 6 mm
• Starting torque: 0.18 N per m / 1.8 kg per cm
• Speed levels: 33 1/3, 45 and 78 rpm
• Detachable power and signal cable
• Audio input: Phono plug, ground terminal
• Dimensions (W x H x D): 453 x 169 x 353 mm
• Weight: 9.6 kg
• Colour: Black
• Includes slipmat, slip sheet, dust cover, EP adapter, auxiliary weights, headshell, screw set for pickups, phono cable and grounding cable

Mobile audio recorder with timecode support & lavalier microphone

Der Tentacle Sync Track E ist ein kompakter Taschen-Audiorekorder für Lavalier-Mikrofone. Die Steuerung, Synchronisation von Timecode und Bedienung mehrerer Tentacle-Geräte erfolgt über die Setup-App für iOS und Android via Bluetooth. Darüber hinaus ist es möglich über die Apple Watch zu synchronisieren, starten oder zu stoppen. Um eine hohe Audioqualität zu gewährleisten, wurde die 32-Bit-Floating-Technologie integriert, die einen erweiterten Dynamikbereich, ohne digitalem Clipping, bietet. Zudem sorgen ein Limiter und ein Hochpassfilter für eine optimale Aufnahmequalität. Track E verfügt über einen Standard-SMPTE-Timecode-Ein- und Ausgang. Somit können mehrere Timecode-Geräte miteinander verbunden werden. Außerdem ist im Lieferumfang eine Lizenz für das Tentacle Sync Studio (Mac) sowie ein Lavalier-Mikrofon enthalten.

Hauptmerkmale

kompakter Taschen-Audiorekorder für Lavalier-Mikrofone
Steuerung, Synchronisation und Aufnahme von anderen Geräten via Bluetooth möglich
Drahtloses Audio Monitoring über Bluetooth
Jam-Sync über Kabel
Timecode Ein-/Ausgang
Push-Benachrichtigung zu Fehlermeldungen und Warnungen
Akkulaufzeit von ca. 10 Stunden
inkl. omnidirektionalem Lavalier-Mikrofon mit Clip & Windjammer
inkl. 16 GB microSD-Karte
kostenlose Tentacke Sync Studio Software Lizenz (für macOS)

Lieferumfang

1x Tentacle TRACK E - Taschen-Audiorekorder
1x Lavalier Mikrofon mit 3,5mm Klinkenstecker (verschraubbar)
    Mikrofon-Clip
    Windjammer (schwarz)
    Reißverschluss-Tasche klein mit Oktopus Aufdruck
1x 16 GB microSDHC Karte
1x USB-A zu USB-C Kabel
1x USB-C zu USB-C-Kabel
1x Gürtelclip
1x Reißverschluss-Tasche mittel
5x farbige Silikonbänder
2x Aufkleber
1x Software-Lizenz für Tentacle Sync Studio (Mac)

Particularly stable plastic-coated metal housing with handle, short-wave (254 nm) or long-wave (365 nm), optionally switchable by toggle switch.

Size: 195 x 65 x 60 mm
Weight: 0.7 kg
Cable length 140 cm (without stand)
Very powerful
2 x 4 Watt

Two-channel ultra portable audio recorder (ATTENTION: no microphone included! Suitable Zoom microphones are separately available in the loan database.)

Compatible with Zoom microphone capsules.
Supports up to 24-bit/96 kHz audio in BWF-compliant WAV or a variety of MP3 formats
One-touch button controls
1.25” monochrome LCD display
Rec Hold function to avoid accidental operation of buttons
Stereo ⅛" Mic/Line In mini phone jack with Plug-in power (2.5V)
Stereo ⅛" Phone/Line Output jack with dedicated volume control
Built in limiter and auto level control to avoid clipping
Pre-Record function
Tone generator for calibrating audio levels between the F1 and a DSLR or video camera without the need for an attenuator cable
Sound marker function that outputs quick tone to make syncing audio and video easy
Records directly to micro SD and SDHC cards up to 32 GB
Micro USB port for data exchange to and from computer and use as an audio interface with computer or iOS device
​Runs on only 2 standard AAA alkaline, Lithium, or NiMH rechargeable batteries, or AC adapter (AD-17, not included)
Up to 10 hours of operation with alkaline batteries when using lavalier

• 6 Channels
• 14 Tracks
• 32 Bit float recording via dual AD converter
• 6 Inputs: XLR female
• Compact and light aluminium housing
• High-quality microphone preamplifier with up to 75 dB gain
• Inherent noise: -127 dBu (A-weighting, Gain = 75dB, 150 Ohm source impedance)
• With phantom power (+48 V / +24 V)
• Look-ahead hybrid limiter with one millisecond time offset to avoid clipping
• Simultaneously record onto SD card and computer via USB connection
• Recordings up to 32 bit / 96 kHz or 24 bit / 192 kHz
• Works as a 6 in / 4 out USB audio interface with max. 96 kHz
• Time code input and output via 3.5 mm TRS jack
• 3.5 mm stereo jack output
  *3.5 mm stereo headphone output
• 3 Power options: 4 x type AA batteries (not included), Zoom AD-17 power supply (optional) or Sony L-series batteries (optional)
• Slot for SD/SDHC/SDXC cards with up to 512 GB
• Remote control via free Zoom F Control iOS app (requires optional Zoom BTA-1 Bluetooth adapter)
• Controllable via optional zoom F-Control FRC-8
• Dimensions (W x D x H): 100 x 119.8 x 62.9 mm
• Weight: 520 g
• Includes camera mount adapter and operating instructions

Multi-Channel Mobile Recorder

• Allows the easy creation of spatial audio recordings
• Record and process of 360º audio material for VR, AR and mixed reality content
• 4 Built-in microphones in Ambisonics arrangement
• 3 Recording modes: Ambisonics, Stereo Binaural or Standard Stereo
• Level control of all channels via a single controller
• Recording format up to 24 bits / 96 kHz
• Binaural stereo monitoring
• 6-Axis gyroscope for determining microphone positioning
• Wireless iOS remote control via BTA-1 Bluetooth adapter (not included)
• Can be used as USB 2.0 audio interface
• Zoom PC / Mac post production software for playback and format conversion
• Headphone and line outputs
• Power supply: 2 AA batteries (not included), USB cable or mains adapter (not included)
• Recording media: MicroSD card up to 512 GB
• Dimensions (W x D x H): 76 x 78 x 123 mm
• Weight: 120 g
• Includes foam windscreen and tripod holder

4 Track Mobile Recorder

• Four-track simultaneous recording
• High-fidelity mic preamps
• Built-in X/Y stereo microphones, adjustable between 90˚ and 120˚
• Record up to 140 dB SPL with X/Y microphones
• Two mic/line level inputs with XLR/TRS combo connectors
• Stereo 1/8" Mic In mini phone jack
• +24 or +48V phantom power for main inputs and Plug-in power (2.5V) via Mic/Line * In mini phone jack
• Output/headphone jack with dedicated volume control
• Records directly to SD and SDHC cards up to 32 GB
• Supports up to 24-bit/96 kHz audio in BWF-compliant WAV or a variety of MP3 formats
• Built-in effects, including compression/limiting, low-cut filtering, modulation, reverb/delay and amp models
• 2-in/2-out USB audio interface for PC/Mac computers
• Mounts to mic stand or tripod, or directly to DSLR with optional Hot Shoe adapter
• Runs on 2 standard AA alkaline or NiMH rechargeable batteries with up to 5.5 hours of operation (up to 8 hours in Stamina mode)

Portable Audio Recorder (ATTENTION: no microphone included! Suitable Zoom microphones are separately available in the loan database.)

Four tracks of simultaneous recording and interchangeable mic capsules make the H5 flexible and powerful enough to meet the evolving needs of today’s creators.

Uses a system of interchangeable microphone capsules
Compatible with all Zoom input capsules
Records up to 24-bit / 96 kHz
Recording format: WAV (BWF compatible) and MP3
4-track simultaneous recording
Large backlit LCD display
Records directly to SD and SDHC cards up to 32 GB
2 mic/line inputs with XLR/TRS combo connectors, each with selectable phantom power and -20 dB pad
Gain control knob on each input, with protective 'roll-bar' that prevents accidental movement during handling
Plug-in power (2.5 V)
Built-in effects, including high-pass filter, compressor and limiter
Chromatic tuner and metronome
Auto-record, pre-record and backup-record functions
M/S decoding
Multitrack to stereo internal mixdown
Normalize, divide, and trim editing
A/B loop playback
Integrated loudspeaker
Variable playback speed and pitch (without tempo change)
Multichannel and stereo USB audio interface for PC, Mac and iPad (requires optional camera connection kit)
1/4" Attachment screw-hole on the back side
Powered by 2 Conventional AA alkaline batteries or NiMH rechargeable battery packs
Operating time (with alkaline batteries): approx. 15 h
Dimensions of H5: 67 x 135 x 42 mm
Dimensions of XYH-5 capsule: 66 x 82 x 41 mm
Weight H5: 176 g
Weight XYH-5: 94 g

Includes:
USB Cable
Foam windscreen
Case

• Interchangeable input capsules
• Simultaneous recording on six tracks
• Four inputs for microphone/line sources with XLR/TRS combo connectors
• Gain control and -20 dB pads on each input
• The included XYH-6 X/Y capsule provides a second input as a stereophonic 3.5 mm mic/line minijack jack
• Phantom power for all main inputs: +12/+24/+48V
• Large, angled full-colour LCD display
• Direct recording to SD, SDHC and SDXC cards with up to 1 TB capacity
• BWF-compliant WAV formats with up to 24 bit/96kHz or various MP3 formats
• Auto-record, pre-record and backup record functions so you'll never miss the perfect take
• Internal effects including high-pass filter, compressor and limiter
• Multi-channel and stereo audio interface with USB interface for PC/Mac/iPad
• Runs on standard AA alkaline batteries or NiMH rechargeable batteries
• 20 hours operating time with 4 type AA alkaline batteries

• Interchangeable input capsules
• Simultaneous recording on six tracks
• Four inputs for microphone/line sources with XLR/TRS combo connectors
• Gain control and -20 dB pads on each input
• The included XYH-6 X/Y capsule provides a second input as a stereophonic 3.5 mm mic/line minijack jack
• Phantom power for all main inputs: +12/+24/+48V
• Large, angled full-colour LCD display
• Direct recording to SD, SDHC and SDXC cards with up to 1 TB capacity
• BWF-compliant WAV formats with up to 24 bit/96kHz or various MP3 formats
• Auto-record, pre-record and backup record functions so you'll never miss the perfect take
• Internal effects including high-pass filter, compressor and limiter
• Multi-channel and stereo audio interface with USB interface for PC/Mac/iPad
• Runs on standard AA alkaline batteries or NiMH rechargeable batteries
• 20 hours operating time with 4 type AA alkaline batteries

ZOOM MSH-6 MS CAPSULE
Welcome to “Mid-Side” recording, a whole new level of precision in your ability to shape sound. The MS Capsule contains dual mic elements – a forward-facing, unidirectional mic (the “Mid”) and a side-facing, bi-directional mic (the “Side”). Together with the onboard MS decoder provided by the H5 and H6, they capture a fully mono-compatible stereo image that can actually be adjusted after recording – ideal for film, video, and television projects.

The MSH-6 mid-side stereo microphone capsule is compatible with the Zoom H8, H6, and H5 Handy Recorders, F8n, F4 and F1 Field Recorders, U-44 Handy Audio Interface, and Q8 Handy Video Recorder as well as the ECM-3 and ECM-6 extension cables for Zoom microphone capsules.

ZOOM SGH-6 SHOTGUN MICROPHONE CAPSULE

Our optional SGH-6 Shotgun capsule adds a professional-quality hyperdirectional (that is, highly directional) microphone to the H5 and the H6, making it the perfect audio recorder for anyone working in film, video or live theater, or for ENG (electronic news gathering) applications. The SGH-6 Shotgun capsule is compatible with the Zoom H8, H6, and H5 Handy Recorders, F8n, F4 and F1 Field Recorders, U-44 Handy Audio Interface, and Q8 Handy Video Recorder as well as the ECM-3 and ECM-6 extension cables for Zoom microphone capsules.

ZOOM SSH-6 STEREO SHOTGUN MICROPHONE

The SSH-6 mid-side stereo shotgun capsule includes a super-directional microphone for picking up sound in the center, as well as a bidirectional side mic for picking up sounds from the left and right. This allows you to record a fully mono-compatible stereo image—ideal for film, video, and television projects. For example, you can capture dialogue with the center mic, and then mix in the desired amount of environmental sound captured by the side mic directly on your Zoom recorder, or in post-production. A hairy windscreen is included for reduction of wind noise.

The XYH-5 X/Y microphone capsule provides two matched unidirectional condenser microphones set at a 90 degree angle. These mics are housed within an advanced shockmount that employs rugged external mic wires and rubberized material to minimize vibration and handling noise, making the XYH-5 ideal for location videography and live broadcast/podcast applications. The design of the XYH-5 also allows it to handle extremely loud sounds—140 dB SPL, to be precise (equivalent to the sound of a jet aircraft from less than 200 feet away)—making it perfect for capturing the sound of live rock concerts and for electronic news gathering. The XYH-5 X/Y microphone capsule is compatible with the Zoom H8, H6, and H5 Handy Recorders, F8n, F4 and F1 Field Recorders, U-44 Handy Audio Interface, and Q8 Handy Video Recorder as well as the ECM-3 and ECM-6 extension cables for Zoom microphone capsules.
Including foam windscreen.